Lois Martin
Brooklyn Museum Early Nasca Textile 38.121 (overall) Nasca, Mantle. (“The Paracas Textile”) 100 – 300 C.E. Cotton & Camelid fiber 24-5/8 × 58-11/16 inches (62.5 × 149 cm) Brooklyn Museum, John Thomas Underwood Memorial Fund, 38.121
The Paracas Textile/El Manto de Paracas Published by The Brooklyn Museum, 1991 Drawings and text by Lois Martin Brochure design by Katherine Spitzhoff
The Paracas Textile/El Manto de Paracas Published by The Brooklyn Museum, 1991 Drawings and text by Lois Martin Brochure design by Katherine Spitzhoff
Photo by Lois Martin, showing 2015-2018 gallery installation at The Brooklyn Museum
Poster, Prime Material, by Lois Martin, presented at international conference, Technology: Ideology, Economics, and Power in the Andes. Organizers: Bill Sillar, Viviana Siveroni, and Miguel Fuentes; University College London, Institute of Archaeology,
June 15–18, 2015.
2015 Vector drawings by Lois Martin of two fragments The Cleveland Museum of Art Textile Fragment, c. 50-650 Peru, Moche, north coast, 1st-7th century cotton and camelid fiber Overall – h: 40.00 w: 25.40 cm (h:15 11/16 w:10 inches)
John L. Severance Fund 2007
Photo courtesy The Cleveland Museum of Art Installation photo showing mounted fragments, 2015
From: “The Axochiatl Pattern: Aztec Science, Legitimacy, and Cross-Dressing,” by Lois Martin, in Visual Culture of the Ancient Americas: Contemporary Perspectives, edited by Andrew Finegold and Ellen Hoobler, Norman: University of Oklahoma Press, 2017
From: “The Axochiatl Pattern: Aztec Science, Legitimacy, and Cross-Dressing,” by Lois Martin, in Visual Culture of the Ancient Americas: Contemporary Perspectives, edited by Andrew Finegold and Ellen Hoobler, Norman: University of Oklahoma Press, 2017