My work is shaped by my surroundings; to what I see, to what I read, what I hear, and how I feel. I begin by setting visual guidelines, e.g.: medium, color, form, and size. I then develop a visual narrative using repetitive shapes, linear marks that transverse the picture plane. Improvisation is integral to my process. Each mark informs the next defining the composition as it develops. I move between representation and abstraction; my objective is to suggest an imaginary landscape that is based on environment, observation, and memory.